12month26Sunday afternoon3hour，Professor Emeritus, University of Wisconsin-Madison、Professor Zhang Hongming, Chair Professor of Macau University of Science and Technology, Dean of the School of International Studies and Director of the Education Development Center, is a guest at the Faculty of Arts119Issue (Total No.1123Issue) "Jixiafeng" Graduate Academic Forum，An academic lecture entitled "Comparison of Poetry and Comparison of Language" through Tencent Conference。This lecture is hosted by Professor Sheng Yuqi of the School of Liberal Arts of Shandong University，Attracted more than 100 teachers and students inside and outside the school to participate。
Before the lecture officially begins，Sheng Yuqi warmly welcomes Zhang Hongming’s arrival，And briefly introduced his research bet365 live casino reviewino blackjackfields and major achievements，Zhang Hongming also expressed his gratitude to Sheng Yuqi for his invitation and introduction。
The beginning of the lecture，Zhang Hongming starts from poetry works，Introducing a discussion on the nature of poetic rhythm by comparing the forms of two groups of poems，He pointed out，The form of poetry must include at least three elements: the conscious arrangement of the structure of a line or paragraph、Have a consistent rhyme pattern、All must adhere to a pre-made poetry rhythm template。On this basis, Zhang Hongming emphasized rhythm and rhythm、The difference between the rhythm of poetry of the Six Dynasties and the rhythm of poetry of the Tang Dynasty，Clarify the criteria for judging Chinese metrical poetry。Next，Zhang Hongming compared Chinese and English acrostic poems，Explain that the relationship between the form and meaning of poetry will be restricted and affected by the nature of specific language，And further points out that the form of a specific poem is closely related to the nature of a specific language，Linguists must be involved in the study of poetry，Poetic research cannot ignore the influence of language。
Bet365 loginTo further explain the relationship between the nature of language and the form of poetry，Zhang Hongming takes Japanese haiku as an example，Point out that the basic unit of the "五七五" format of haiku is not syllables but rhymes，Because Japanese and Chinese are different，is a weight-sensitive language。Although Sanskrit is also a weight-sensitive language，But its light and heavy syllables、The numbers of open and closed syllables are basically equal，It is easy to form an opposition，Thus, a metrical pattern of binary opposition between light and heavy syllables was developed，Japanese does not have such conditions。Next，Zhang Hongming pointed out that the "five-seven-five" format of haiku combines the five and seven unique features of Chinese，An uneven and incomplete form，This form is related to Japanese culture’s extreme admiration for the beauty of incompleteness。Therefore，The construction of poetic form is affected by both specific language properties and specific aesthetic and cultural values。In addition，Zhang Hongming also proposed the poetry translation principle of content correspondence bet365 online sports betting liveand form correspondence，And displayed his translation works for your reference。
Next，Zhang Hongming analyzes the contradiction between the form of Shen Yue’s poems and the theory of “Eight Diseases”、The rhythmic form of Indian poetry and the translation model of early Chinese translation of Buddhist scriptures，Combined with the original documents from the Yongming era and the Sanskrit-Chinese antiphonal materials translated from Buddhist scriptures，Pointed out two misunderstandings in the study of the origin of Chinese metrical poetry: that is, the theory of rhythm in the Yongming period includes eight diseases、The concept of level and oblique and the rhythm of modern Chinese poetry come from Sanskrit poetryŚlokaRhyme pattern。Finally，Zhang Hongming made a profound analysis and comment on Chen Yinke's "Four Tones and Three Questions"，He pointed out eight aspects of the material in the article、Facts、Logical problems，The conclusion that the four Chinese tones come from Buddhist chanting is too arbitrary，No support from linguistic theory。
After the lecture，Sheng Yuqi once again expressed bet365 slotsher gratitude to Zhang Hongming on behalf of teachers and students，He believes that listening to academic lectures does not have to be related to his major，A good lecture will always bring inspiration to people in all aspects，This lecture reflects a clear awareness of the problem、The courage to question authority and the exploratory spirit to constantly seek deeper breakthroughs。In the communication session，Professor Hu Jianhua, a researcher at the Institute of Languages, Chinese Academy of Social Sciences, had an in-depth discussion with Zhang Hongming on the ethnic exchanges when Buddhism was introduced to China；Students actively asked questions about the origin of the four tones，Zhang Hongming patiently answered。
The lecture ended successfully with warm applause.
