Morning of December 27, 2020，“Qiushi Distinguished Professor” of the School of Media and International Culture, Zhejiang University、Deputy Director of the Department of Humanities, Zhejiang University、Professor Wang Jie, editor-in-chief of "Marxist Aesthetics Research", visited the Literary Aesthetics Research Center of Shandong University，brought an academic lecture titled "Chinese Aesthetic Modernity: A Research Perspective of Emotional Ethnography" to teachers and students of the center。Lecture hosted by Associate Professor Xia Donghong, School of Liberal Arts, Shandong University，Professor Tan Haozhe from the Center、Professor Han Qingyu、Associate Professor You Zhansheng、Associate Professor Cao Chengzhu and some graduate students from the School of Liberal Arts attended the event。
The beginning of the lecture，Associate Professor Xia Donghong briefly introduced Professor Wang Jie’s academic background and research fields，And expressed a warm welcome to Professor Wang Jie。
First，Professor Wang Jie talks about the research on emotional structure and emotional ethnography。“The Structure of Emotion” bet365 live casino reviewino blackjackfrom Raymond Williams，It is an important method in contemporary aesthetic research。Why study contemporary Chinese emotional ethnography？The first of its academic foundations lies in the further development of aesthetic anthropology，The second is the theoretical basis of contemporary literature and art policy research，The third is the theoretical basis of contemporary aesthetic education research。Professor Wang Jie believes that true aesthetic education is to change the emotional structure of contemporary young people，Carry out effective aesthetic education。The true modernization of contemporary aesthetics requires socialization (social scientificization)。The unique features of emotional ethnography as a contemporary aesthetics research method are the following: looking for commonalities among different objects，Acknowledge differences on the basis of commonality；Possibility of continuous research；Traditional research focuses on uncertainty and ignores certainty，What is important in the study of contemporary Chinese aesthetics is the study of certainty: belief in contemporary Chinese society、New thinking and theoretical construction on value system issues。This requires a grasp of certainty，Concretely exists in the dynamic emotional structure of Chinese social development。Grasp the dynamic emotional structure of contemporary China through emotional ethnography，Including research on its basic bet365 online gamesstructure and dynamic trajectory，On this basis, a “deep description” study of contemporary artworks。
Secondly，Professor Wang Jie talks about the cultural needs of contemporary China。Chinese national culture experienced the Sino-Japanese War、Cultural Revolution、The several cliff-like breaks in the trend of Westernization in the market economy are characterized by fragmentation，But the whole is holistic。Theoretical criticism of contemporary art is the basic task of contemporary aesthetics。Eagleton proposed "awakening" in "The Task of the Critic"、Participate、Helping the masses achieve their cultural liberation”。This issue becomes very important in the Chinese context，No matter in the construction of literature and culture，It is still very important at the level of aesthetic education，The basis is a specific and in-depth theoretical grasp of the emotional structure。Ethnographic research on contemporary art emotions is one of the basic methods of contemporary aesthetics。
Again，Professor Wang Jie conducts contemporary Chinese emotional ethnography research through contemporary Chinese films。Contemporary Chinese films continue to cause widespread social debate，For example, "Youth", "Eight Hundred", "Eternal Life", etc.。Chinese films are very pioneering and popular，It is the cultural form that has won the most international awards in Chinese culture，Global release and rich and convenient Bet365 Casino loginonline resources，Conducive to repeated investigations and in-depth historical research。He believes that Chinese society is in a period of transition，Tragedy is a very important cultural form for value reconstruction，Tragedy is a cultural form of response to human crisis。Chinese culture has entered the stage of tragedy culture，Research on emotional ethnography and aesthetics are valuable。Professor Wang Jie pointed out the basic methods and theoretical assumptions，There are the following aspects: Determine the movie to be discussed；Widely collect and share online reviews of this movie，Including comments from the main creative staff、Advertising language；Carry out free multi-disciplinary discussion and debate about the film，Invite the creative team when conditions permit、People from different walks of life participated in the movie viewing and discussion，Using simultaneous discussions by multiple teams in multiple locations；Organizing text data，For publication and further research；Cross-referencing ethnographic material with literary and aesthetic analysis，Multiple subjects and the emotional structures behind them are mutually referenced，Conduct complex research and film text interpretation，Form a theoretical judgment on the structure of contemporary emotions in China。
Finally, Professor Wang Jie proposed preliminary conclusions，Taking contemporary Chinese films as the object，bet365 live casino gamesWith anthropological and ethnological methods，It is possible to study the emotional structure of contemporary Chinese society，It is feasible in theory and practice；Due to the complexity of the research object and the profundity of the issues involved，Ongoing research ethnographic methods are necessary and important；Building a database is valuable，To grasp the vivid aesthetic experience。Finally, how to ensure the objectivity of the research process、How to find appropriate methods to maximize the use and utilization of existing databases is also a problem that needs to be solved。
In interactive session，Professor Wang Jie actively responded to questions from teachers and students。Professor Tan Haozhe made a summary，He said that the Literary Aesthetics Research Center will cooperate with the Contemporary Marxist Aesthetics Research Center of Zhejiang University in talent cultivation、Active cooperation in academic exchanges and other aspects。To this point，This lecture came to a successful conclusion。
