Mr. Wu Kaijin was born in Yangxin County, Shandong Province in November 1934。Studying at a private school in his hometown with his grandfather Wu Chaohai when he was young，Receive enlightenment education。went to Peking to attend high school in 1945，Junior high school。He later participated in the revolution。Autumn 1950，He joined the People's Liberation Army of China，In the winter of 1952, he joined the Chinese People’s Volunteer Army and went to North Korea,Working in the military art troupe。Many of his early works are related to military life。He published his debut novel in 1954，Prose "Memories of Jindacai"。Same year，His Shandong Kuaishu "Lei Yanfang's Clever Catch of Spies" won the Creation and Performance Award for the All-Army Art Performance。1955，Published a series of poems "He Heard the Bugle Sounding" in the monthly magazine "Changchun". From then on, he formed an indissoluble bond with poetry。From 1957 to present，He published hundreds of poems under the pseudonym Wu Xin。
Interest in poetry，Perhaps since his childhood，His grandfather—an old scholar，I often teach him to recite ancient poems。While studying in middle school，He initiated the establishment of a poetry club，Create a poster，Use childish and passionate singing to express the yearning for the light。The establishment of New China and the cultivation of revolutionary teams，The seeds sown in his heart sprouted，The flowers of poetry finally bloom。His poems were all created after busy work。After he graduated from Jilin University，Stay in school to do teaching work。Initially he was engaged in teaching folk literature。Since 1960，He has taken students to the countryside many times to learn about the scenery,Been to Changbai Mountain，Yanbian and other places，A large collection of folk songs and folk stories。He edited the collection of folk tales "Golden Wind"，Compiled "Introduction to Folk Literature"，Also published many folk literature papers。Although he did not specialize in poetry creation and research during this period，But the experience of collecting wind，It cannot help but have an impact on his future creation and research。Some of his poems have a strong flavor of folk songs，His poetry research has always paid attention to folk songs and realistic poems that directly reflect the sufferings of the people。Since 1965，He transferred to the teaching of contemporary Chinese literature。The research direction began to turn to poetry。In this transition，He received help and guidance from his teacher, the famous poet Gong Mu。In 1978, he published his first poetry essay "Poetry of Sorrow and Sentiment: Red Flowers in the Ming Dynasty"。This is an earlier paper commenting on the Tiananmen Poetry Movement。The Tiananmen Poetry Movement ushered in a new era，This paper opens the prelude to Mr. Wu Kaijin’s theoretical research on poetry。Spring 1978，He was transferred back to his hometown from Jilin University，Teaching in the Chinese Department of Shandong University。He has opened two courses for undergraduates: "Contemporary Chinese Literature" and "Modern Poetry Research"。In 1980, he and Professor Gao Lan recruited a graduate student in modern poetry in China earlier。He tried his best to cultivate the seedlings of poetry，Many literary societies in Shandong University have received his guidance。Over thirty years，He works hard，Write poetry，Study poetry，Use your own efforts to build a poetic building，He is a tireless seeker of the beauty of new poetry。
He has dedicated many poems and treatises to people。He has published more than hundreds of papers on contemporary literature and modern poetry。He has published "Selected Readings of Famous Modern Poetry", "Art and Appreciation of Modern Poetry", "Li Ying's Theory of Poetry" (co-author), edited and written "Appreciation of Famous Contemporary Poetry", "Stars in Contemporary Chinese Literary Circle", and "Special Collection on Research on Li Yingru" "On the Trend of Poetry in the New Era", "On Contemporary New Poetry", "The Fission and Fusion of New Poetry", "Selected Poems of Wu Kai and Jin Dynasties" (four volumes), etc.。In terms of creation, there are poem collections "Crescent Moon Spring", "Listening to Spring", "Youxin Collection" and prose collection "From Huangguoshu to Niagara", etc.。In addition, he edited and co-authored "Appreciation of Famous Contemporary Poetry", "Three Thousand Years of Poetry" and "Sanshang Library·Volume of Ancient Poetry", "Three Hundred Famous Phrases from Tang Poems and Song Poems", etc.。His academic works have won many provincial and ministerial awards。He presided over the completion of the National Education Commission"七·五"Key scientific research planning project "On Poetry Trends in the New Era"，Provides the first system for the study of poetry in the new era、Scientific research works。The book "Modern Poetry Art and Appreciation" won the Outstanding Scientific Research Achievement Award from the Shandong Provincial Department of Education、Excellent Book Award for 13 Provinces and Municipalities in North China、National Contemporary Literature Research Outstanding Achievements Award。Many of his papers have had great influence at home and abroad。The paper "Ai Qing - the poet standing at the intersection of Chinese and Western cultures" he read at the International Ai Qing Symposium，Published in the first issue of Hong Kong's "China Literary World" magazine，Causing a great response。His poem "Memory of the Land"，Written when celebrating the 50th anniversary of the victory of the World Anti-Fascist War，And at the World Congress of Poets in Tokyo in 1996，bet365 live casino bettingAcquired Israel Mirim·Lindbergh Poetry Peace Prize，Included in the collection of award-winning works published in Israel to commemorate the victory of the anti-fascist war。Professor Stan Dege, director of the jury, said in a letter to the author: "Thanks to your excellent work，Israel Mirim·The Lindbergh Poetry Peace Prize Jury awards you the Peace Prize Honorary Certificate”。The book "Fission and Fusion of New Poetry"，Won the 3rd Dragon Culture Gold Medal of the International Yanhuang Culture Research Association in October 2005。
Professor Wu Kaijin’s first poetry theory book is "Selected Readings of Famous Modern Poetry"。After publication in 1982，Reprinted many times，Published more than 100,000 copies。Several comprehensive poetry anthologies were published in China at that time，But there are no comments attached。This book has pioneering significance for future appreciative comments。This book is one of the middle school Chinese extracurricular books series，The characteristic is that it takes into account the reading level of children，It also has a certain depth。Comments on poems briefly analyze the ideological connotation and artistic characteristics of poems，Strive to be precise。In the preface, he summarized the development of new poetry over the past sixty years，Pointing out that the development direction of new poetry should be a source、Three streams of clear water，That is: social life is the only source of poetry creation；Foreign progressive poetry、Classical poetry and folk songs are the three clear streams that poets can draw on at any time。He combined foreign poetry with classical poetry、Folk songs are juxtaposed，It was quite courageous at the time，Because this is contrary to Comrade Mao Zedong’s opinion。But new poetry is indeed produced and developed by drawing on foreign poetry，This is an objective fact。His "Three Clear Currents" theory is to return to the true nature of the development of his poetry from a materialist point of view，Thus scientific。
1986，His "Modern Poetry Art and Appreciation" published。This is a monograph of 400,000 words。Xinhua News Agency sent a telegram for this book，It is said to have"Complete poetic system"。This treatise is divided into one、Two Liang Parts，The first part mainly discusses the basic theory of modern poetry creation，From the relationship between poetry and life、Imagination of poetry、The language of poetry、Poetic styles and schools，On the achievements and shortcomings of poetry in the new era，And predict the development trend of new poetry，16 chapters in total。
The second part is about the present、Monographs written by famous contemporary poets，Also includes discussions of folk songs and narrative poems。In this series，He deliberately viewed it from the perspective of appreciation，Guide readers to roam the charming artistic forest of modern and contemporary poetry。In this section，Readers can appreciate Guo Moruo、Wen Yiduo、Xu Zhimo、Dai Wangshu、Ai Qing、Zang Kejia、The gorgeous scenery of poems by Gong Mu and other older generation poets，You can enjoy Wenjie again、Guo Xiaochuan、He Jingzhi、The moving grace of contemporary poets such as Li Ying。This way，This monograph comprehensively and systematically summarizes the artistic achievements of modern poetry from two aspects: the creation and appreciation of modern poetry。Combining the theory of creation and the theory of poets，Combines basic theoretical research with specific analysis and appreciation of the works of new poetry writers，Constitutes systematic integrity，This is also groundbreaking in poetry research treatises。一、There are differences between the two editions，They complement each other，Constitute the complete、Scientific poetic system。
Under discussion，He pursues completeness and system，Strive to gather all the views on this proposition，Then give a scientific analysis，Put forward your own opinions。Poetic conception，He first talked about the importance of conception、The mystery of conception，The theory of futility of conception and its fallacy，Then he talked about the origins of different artistic concepts，The formation of different artistic concepts，Finally, we talk about how to grasp the idea of the poem。Typicality of conception、Conception methods, etc.。Under discussion，He not only comments on other people’s opinions，You also need to state your own opinions。As the author discusses the relationship between poetry and life，Repeatedly emphasize that only life is the only source of poetry。He not only elaborated on this issue theoretically，Also cited many poems as examples。Obviously，Realistic poetry must naturally be rooted in real life，But do those poems that mainly express the poet’s inner emotions also come from life?He also gave a clear answer to this，Dedicate a section to discuss "Purely subjective feelings and momentary emotions also come from life"。He cited the American Imagist poet Ezra Pound's famous work "Metro Station" as an example:
These faces in the crowd
Damp, dark,
Petals on the branches.
This poem is about a momentary impression，Expresses the poet’s inner feeling at that moment，Highly subjective。Mr. Wu Kaijin said: "If the poet had not taken the subway，No specific feelings about people taking the subway，This poem cannot be written。Those modernists、Futuristic poets，Good for making some abstract comments，Write some messy feelings，But if you break away from the observation and feelings of real life，In a vacuum isolated from the world，They can’t even write a line of poetry，It’s just that they don’t want to admit it。”These arguments are convincing。
When discussing the creation of modern poets，He focuses on the creative art of poets、Methods for discovering and expressing poetic beauty。Over a long period of time，Poetry criticism is limited to political criticism and at best social criticism。Mr. Wu Kaijin rejected this mechanical criticism earlier，Turn bet365 best casino gamesyour attention to the summary of the poet’s artistic achievements and the exploration of his artistic strength。His love for Guo Moruo、Xu Zhimo、Zang Kejia、Ai Qing、Wen Yiduo’s discussion，It is conducted from the perspective of objective artistic evolution；Dui Gongmu、Wen Jie、Gao Lan’s poems are based on imagery、Start with charm and other aspects，Capture the uniqueness of his art，Through the artistic analysis of poems，Determine the status of poetry in the history of modern Chinese poetry，And analyze the aesthetic characteristics of his poems。These discussions are in-depth, detailed and precise。
"Ai Qing--the poet standing at the intersection of Chinese and Western cultures" is a paper written for the Ai Qing International Academic Symposium。The number of research articles on Ai Qing’s poetry may have exceeded his works，But this article by Mr. Wu Kaijin takes a unique approach。From the perspective of "the penetration and integration of Chinese and Western cultures"，A profound analysis of the Eastern and Western cultural connotations in Ai Qing’s poems，And made comparisons in terms of ideological and artistic characteristics and language forms，This proves that "Ai Qing is a typical Chinese poet，Another poet with world characteristics”。General researchers believe that Ai Qing is an anti-feudal warrior，A rebel against Confucianism，Mr. Wu analyzed it from his experience and creation，“He is also silently absorbing the essence of ancient Chinese traditional morality，Such as sympathy for workers and the weak，Longing for Guan Yunchang’s loyalty，Deliberately disobeying father’s orders，Go and learn "low-grade" crafts to make clay figurines, etc.。These dim and simple concepts，Once you accept the new revolutionary ideas，It is integrated with the idea of ‘helping the world and benefiting the people’ advocated by Eastern thinkers，Guide him to devote himself to changing the lives of many poor people。"This argument has not been put forward by previous Ai Qing researchers。He then further pointed out: Later Ai Qing "study abroad，I came into contact with a lot of Christian culture while studying painting and poetry，The ‘fraternity’、The spirit of ‘humanism’ has been injected into his blood，So that his later poetry creation reflects the fusion of Eastern and Western ethical concepts"。Mr. Wu also combined "Rendezvous" and "Dayan River-My Nanny" with poems such as "Mending Woman", "Beggar", "Death of a Nazarene" and "Manger" to specifically explore the East and West in it. Cultural connotation。Ai Qing has absorbed more expression methods of Western symbolism poetry in his poetic art，This is the consensus of Ai Qing researchers，But that doesn’t mean that Ai Qing’s poems are completely the result of “horizontal transplantation”?Mr. Wu thinks this is not entirely the case。He said，"The romantic and realist traditions of classical poetry have deeply influenced him (referring to Ai Qing)，Especially the realistic poetry in classical poetry that profoundly exposes the contradictions of reality has left an indelible mark on his creation."，
“From an inspection of Ai Qing’s overall creation, it can be said that he is a poet who combines traditional Chinese realism with the symbolism techniques of modern Western poetry to write brand-new poems，He is a poet who has absorbed the artistic nutrition of Chinese poetry creation and became his own poet"。This paper examines Ai Qing’s poetry creation from the intersection of the integration and collision of Chinese and Western cultures，Objective evaluation of Ai Qing’s status in literary history，And also provides persuasive arguments for the development path of new poetry。
"On Poetry Trends in the New Era" is the first comprehensive and systematic study of poetry in the new era in China，It is of pioneering significance in the study of literature in the new era。The writing of this monograph has been brewing since 1986。At that time, it coincided with the State Education Commission’s approval of “Seven.Five "Social Science Key Research Plan"，Mr. Wu Kaijin presided over the writing of the outline and submitted it，After review by national experts and review by the State Education Commission，Approved this key social science project。After five years of research and writing，Finally published at the end of 1991。This is a major gain from the study of new poetry。Mr. Wu edited this book and wrote two-fifths of the book。
This book provides a comprehensive scan of various poetry schools and major creative groups that have emerged since the new era，A comprehensive summary of the experience and lessons in poetry creation in the new era，Discussing science、Rigorous，Novel point of view，Received unanimous praise from poetry circles across the country。The book consists of an introduction、Realistic Poetry、New Realism School of Poetry、Misty Poetry School、New Generation Poetry Group、New frontier poems and frontier poems、Military Poetry、Composed of nine chapters including Hundred Flowers of Poetry。There is a complete system。
"On Poetry Trends in the New Era" is a milestone in the study of contemporary Chinese poetry，Its pioneering achievements will be recorded in the history of literature。And this monograph also shows the vision and courage of a scholar who is always tracking the pulse of contemporary literary creation。The collection of poetry essays "The Fission and Fusion of New Poetry—The Historical Trajectory of the Development of Modern Poetry" by Mr. Wu Kaijin, who is now in his seventies, is the fruit of his decades of research on new poetry。This collection contains one hundred and thirty poetic essays，There are long and far-sighted remarks here，There are also short and insightful masterpieces，Concentrated display of the broad mind of a famous scholar and the keen vision of a critic。
Selected Poems from the First Collection，was selected by the author from the previous new poetry treatises "Modern Poetry and Appreciation" and "Contemporary New Poetry"。It is a macro-scan of the Chinese poetry bet365 online sports betting appworld，It is also an analysis of famous modern poets。In the article "The Surge and Trend of the New Poetry Trend"，Mr. Kai Jin pointed out two major peaks in Chinese poetry in the 20th century: one is the rise of new poetry during the May Fourth Movement，The second is the rise of poetry in the new era。He focused on analyzing the new characteristics of the second wave in the new era，And predict the direction of the new poetry trend—rebirth in transformation。Re-examines the development trend of poetry in the new era in the article "The Coexistence and Integration of Diversified Artistic Thinking"。In these papers commenting on the general trend of Chinese poetry，Exhibits Mr. Kaijin’s broad academic vision and spirit of scientific analysis。Especially articles such as "Contemporary Chinese Poetry and Eastern Mysticism" and "The Combination of Zen Taoist Spirit and Modernism in Contemporary Poetry"，Revealing the characteristics of new Chinese poetry forming a new artistic quality while inheriting tradition and absorbing foreign artistic nutrition。This has strong implications for the development of new poetry art。
Second Collection of Recent Works on Poetry，Including poetry essays published by Mr. Kai Jin in recent years，There is a systematic study of accomplished poets，There are also comments and analyzes on the poems of some young poets。These papers reflect Mr. Kaijin’s scientific attitude of seeking truth from facts and keen aesthetic vision。Especially the care for the younger generation reflects the sincerity of the senior scholars。In the article "A New Poetry Phenomenon"，Mr. Kai Jin discovered the new humanistic spirit and modern romantic trend among young poets，He affirmed it，Thinks that "it is a positive and healthy artistic expression，its appearance，It will promote the prosperity of the literary and poetic circles。"①The "Poetry Collection" column he opened for "Shandong Literature"，Called it “a banner set up for the prosperity of Qilu poetry circle”，And sincerely borrowed Gorky’s words to warn the poet: “Don’t focus on yourself，But focus the whole world on yourself。The poet is the echo of the whole world，Not just the nanny of one’s own soul。”This contains Mr. Kaijin’s own poetic concepts。Mr. Kaijin has studied poetry for many years，He has many poet friends，Many people in the poetry circle send him new works。Comment to Zang Kejia in this article、Wang Xindi、Niuhan、Tu An、Chengyouzhu、Li Ying、Wang Xuezhong、Wooden Ax、Miao Deyu、Hu Zhao、Wu Sijing、Zhu Xianshu and others are famous poets or poetry commentators，They are also his friends for many years。Knowing people and discussing poetry，Naturally friendly and insightful。This volume also includes his comments on many young poets。Mr. Kaijin always cares about young people，He admires the vigor and vigor of young people very much。Some of them are his students，Some are his poetry friends，Ru Lu Xiaoying、Dongfang Tuqin、Wang Zhan is his disciple，Wang Mingjiu、Pang Jinyi、Sun Jianjun、Shang Zhen is a young poet friend whom he admires very much。He naturally pays more attention to Shandong poets，Ru Jiyu、Guo Kuo、Sang Hengchang、Sun Guozhang、Song Anqiang、Sun Rui and others，He has commented on their new works。In these comments，He can discover the novelty of poets，Able to point out deficiencies realistically。Reviewing Sun Guozhang’s collection of poems "Hunger·false sleep·Iron》hour，He said: "Guozhang's representative collection of poems "Hunger·false sleep·Publication of "Iron"，marks that he has climbed to a new level in the creation of poetry and beauty。I feel sad when I read his poems、Cold and heavy，This may be the spiritual expression shared by a generation of intellectuals who are concerned about the country and the people。...It can be said to be an authentic modern poem in terms of art。”②The article provides a detailed analysis of poems such as “Looking for Plum Blossoms” and “Fake Sleep”，Fully affirmed the poet’s artistic creation。Finally, he also pointed out the shortcomings of his poems: "Speaking of shortcomings，Sometimes I feel like some of Guozhang’s poems，This line shortening is not always used、A short poem form with few words，What should be let go should be let go，Otherwise，It restrained the poet’s emotions，Eighteen kinds of weapons，Mainly one type，You can also dance for a while。”To the works of other poets，He also has good opinions，If there are any shortcomings, say it is not enough，Not just praise。
Part 3 Taiwan and Hong Kong Poetry and Overseas Chinese Poetry，Comment on the works of Hong Kong, Taiwan and overseas Chinese poets。Hong Kong, Taiwan and overseas Chinese poetry are also part of Chinese poetry，The works of these poets vary from region to region、Diverse cultural backgrounds，Has its own poetry that is different from mainland China。But as part of modern Chinese poetry，Communicate and supplement each other，The Chinese National Poetry Forest also flourished。In this section, a part discusses the development trend of contemporary Chinese poetry，For example: "The Extension of Eastern Wisdom", "A Brief Discussion on the Development Trend of Chinese Poetry in the 21st Century", "My Opinions on the Exchange of Overseas Chinese Poetry"，There is also a part of the analysis of specific poets’ poems，For example: "The Implication of Zen in Love's Poems" and "Talking with Mr. Yu Guangzhong<White Jade Bitter Melon>》"The Perception of Life and the Beauty of Modern Poetry—Reading Zhang Mo's Poems", "The Aesthetic Style of Feima Poems", etc.。There are high points in these papers，There is also a detailed analysis。Discusses the flesh-and-blood relationship between these poems and Chinese culture and the different development trends from mainland poetry。
In summary, Professor Wu Kaijin’s academic research has the following characteristics。First of all, always adhere to the principled stance of Marxism in research，Adhere to the Marxist-Leninist bet365 live casino bettingposition、View、Methods to observe and study literary phenomena，However, we do not exclude the absorption and reference of beneficial elements in Xiwan Modernism。When discussing the artistic achievements of poetry in the new era，He affirmed that the reference of modern art such as Western Symbolism is an artistic breakthrough in poetry in the new era. He said: "The sign of a breakthrough in creative methods is still Symbolism、Surrealism and Realism、The fusion of romanticism。Poets who use success，Absorbing Western creative methods、Melt，Create novel articles。”Looking at his age, he is close to sixty years old，But he is not conservative at all，His academic world is open，He particularly emphasized the integration of Chinese and Western cultures，He thinks this is the only way to go，New poetry can burst forward with vitality。
Mr. Wu always adheres to a pragmatic and scientific attitude when studying poetry，He always writes poetry，To analyze literary phenomena，To explore the poet’s heart。He rarely debates the rights and wrongs of poetry in an empty manner。For example, pair of misty poems，He is not simply agreeing or denying，But start with his specific poems、Research and analyze its success。He must have taken it seriously、After scientific research and analysis，is specific。He affirmed the artistic contribution of young poets to new poetry，He particularly affirmed their “psychological poetry”。He said: "In the poetry of mentality，Because the poet accepted the influence of Western Symbolism，And found examples of poems from Chinese poetry that can be used for reference，Therefore，Except for those chapters that directly express feelings，Also often express feelings symbolically with the help of objects，In other words, materializing one's telepathy is also called externalizing it into a certain object，This type of poetry is often more attractive because of its novelty。Ru Shu Ting’s "Ship" and <Brig>Writing about a ship is also about writing about yourself。Her<To Oak>Using kapok as a metaphor is actually a monologue of a girl in love。”③
Mr. Wu often uses comparative methods in academic research，Highlight the poet’s personality characteristics through comparison。This kind of comparison has Chinese and foreign comparisons、Comparison between ancient and modern times。There are also comparisons between poets of the same generation，Comparison of poems by the same poet in different periods。For example, when he discussed Ai Qing’s creations in the new period, he compared them with his early creations，He said: "In his early years, Ai Qing entered the poetry world as an artist，His thinking about life is mostly intuitive，He relies on his artistic sense to think in images，Although the article also contains laments about the fate of life and sparkles with the light of revolutionary humanitarianism，But，But it lacks the strong speculative color in later poems。If there is any major difference between the later poems and the earlier poems，That is after many hardships，Thinking about life and the macrocosm of the universe has become more serious，increased exploration of the philosophy of life and the mysteries of the universe，This expands and deepens the power and depth of the poem。”When proposing the name “Neorealist Poetry”，He also determined it through comparative research，He pointed out: “In the new era of realist poetry，The most vital ones are the new troops who have just joined the army。They are between middle-aged and elderly poets and hazy poets，Not only inherits the profound realism tradition of new poetry，Close connection with the older generation of poets，Full of innovative courage in art。Although his works are not as good as Shu Ting、Bei Dao and other young poets have greater variation in aesthetic concepts，But it brought a lot to the trend of realist poetry。In other words，This school is between the realistic poetry school and the modernism represented by the misty poetry，They are also in the middle in terms of age。Their poems not only inherit the tradition of realism of the older generation，But there are also modern techniques involved，But not as completely introverted as Bei Dao Shuting。”④This positioning should be said to be accurate。
Mr. Wu’s commentary language combines simple writing style with poetic imagery，formed simplicity、Vivid writing style。Although he also absorbed useful modern Western critical theories and creative methods，But there is no explosion of new terms。He rarely uses the current popular trend directly、Westernization theory vocabulary，He does not attract attention with the novelty of his words，Use plain language to explain your views。His article does not pretend to be profound、The academic spirit that rejects people thousands of miles away，Not trying to be mysterious，Puzzling foreign tone。His articles make people feel friendly，Make people feel credible，Like a heart-to-heart talk with a mentor，This is also a reflection of his character。He is a critic、Professor，Also a poet，His comments often have poetic images from the title to the content，Made his articles reveal literary brilliance in simplicity。Please see the subtitles he proposed for each chapter of "On Poetry Trends in the New Era"，It’s like a poem: the old pine tree is turning green、Unwithered leaves、The baby swallow in the harbinger of spring、Green fruit filled with grain、The desolate and majestic song、The dazzling art world。These titles themselves are very artistically attractive，Reveals his talent as a poet。
Mr. Wu Kaijin has been teaching in universities since 1958，36 summers and winters until retirement。He has been like this for decades，Teaching and educating people，Tireless in teaching。Treat students as warmly as a spring breeze，Be humble and friendly to comrades，Teach by words and deeds，Educate people with morals，Qualified as a teacher。He tried his best to support young teachers and young poets。After retirement, I still pay attention to the development of the poetry world and bet365 best casino gamesthe growth of young people，Continuously writing，After death。He made outstanding contributions to the development of new Chinese poetry。His scholarly spirit and academic life will continue among the next generation of scholars。
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①"Fission and Fusion of New Poetry" 288 pages China Literature Publishing House November 2003
②"Fission and Fusion of New Poetry" 389 pages China Literature Publishing House November 2003
③"On the Trend of Poetry in the New Era" 12 pages Jinan Publishing House May 1992
④"On the Trend of Poetry in the New Era" 16 pages Jinan Publishing House May 1992