15:00 on June 3rd，Professor Xue Longchun of the School of Art and Archeology of Zhejiang University is a guest in the 379th issue of "New Apricot Forum"，An academic lecture titled "Cliff Carvings of the Northern Dynasties of Shandong from the Perspective of Ecology" was given in Room A620 of Zhixin Building。The lecture was hosted by Professor Du Zexun of our college，Professor Xu Jun of our college、Associate Professor Chen Shuo，Teacher Yang Zimo from Qilu Cultural Research Institute of Shandong Normal University and others attended，Attracting nearly a hundred teachers and students inside and outside the school to listen。
The beginning of the lecture，Professor Du Zexun briefly introduced Professor Xue Longchun’s academic fields and research results。Professor Xue Longchun is currently the Director of the Institute of Art History, School of Art and Archeology, Zhejiang University，Mainly engaged in the history of calligraphy and seal cutting of the Ming and Qing Dynasties、Research on ruler-slip documents and epigraphic culture，Writing Hongfu。
First，Professor Xue Longchun based on the relationship between "wen" and "traces"，Emphasis on the special features of cliff inscriptions and their derivatives。Mr. Shang Wei talked about it in "Inscribing Famous Places"，Signs of beauty Bet365 gamesare not just physical existence，Also a product of writing，A place is always identified by writing、Name、Definition and description presentation，Like Phoenix Tower、Yellow Crane Tower，The so-called "Earth is told in a poem" is true。From this，Professor Xue Longchun further pointed out，In terms of broad writing，The history associated with the scenic spots、Literature、Religion and even mythology、Folklore is very important，But in the end it not only embodies "literary" but also appears as "traces"，Undoubtedly, they are material inscriptions, especially cliff carvings。The inscription is not only for identification，And to a certain extent, it shaped the monument。After Jialong in Ming Dynasty，With the development of business travel，It has gradually become a trend for literati to visit and inscribe the "Diamond Sutra" in Shiyu, Mount Tai Sutra。Qianjia and Qing dynasties，Due to the prosperity of epigraphy，The cliff carvings and their derivatives in the Northern Dynasties of Shandong played a more direct role in shaping the scenic spots than the drawings and printing of local scenery。
Secondly，Professor Xue Longchun talks about Ming Dynasty、Differences between the literati of the two dynasties in the Qing Dynasty when viewing landscapes and the inscriptions on them: literati in the Ming Dynasty often carefully selected the timing of travel，Distinguish yourself from ordinary tourists；After Qianjia，Looking for inscriptions has become the focus of literati’s travels，Frequent at that timeVarious "Dengdai Picture", among a large number of poemsContents of common inscriptions, is an obvious example。Over a long period of time，The research focus of traditional Chinese epigraphists is the texts on epigraphy，Insufficient attention to “things”。Professor Xue Longchun used Western Sinologist Han Wenbin (Robert E. Harrist）、Lothar Ledderose) study as an example，Introduce and reflect on the geographical landscape method advocated by Western Sinologists when studying Chinese cliff carvings，And then put forward the concept of "cliff carving ecology"。When Western Sinologists understand the accumulated landscapes in history as designed landscapes or artistic creations，Not correct time、Historical factors shall be fully considered。Professor Xue Longchun reminded，Cliff carvings are often made from local materials，The environment where the cliff is located may not have a specific meaning，The meaning depends on the function、Cost、Exploring technology and final form，For example, the word "Luo" carved on the stone section of the "Jingshiyu Diamond Sutra"、Superimposed strokes of the words "ming" and "bu" with only traces of double hooks，All are examples。At the same time，To introduce the perspective of time change，Colorless scriptures read by Zhang Dai through the stream in the Ming Dynasty，It is obviously not the same as the red scriptures that people see today。As for the cliffs and inscriptions，In Huang Yi、In the eyes of Nie Fang and others，They are mutual reminders rather than collaborative relationships，“Landscapes can be seen from gold and stone,Gold and stone come from mountains and rivers"，Landscapes bet365 games best slotsand gold and stones together constitute the landscape of Mount Tai as a scenic spot。However，Inscription on landscape，Inscription and postscript on this painting，Still an indispensable embellishment，Not in a dominant position。
Last，Professor Xue Longchun pointed out，Inscriptions are the most reliable material existence linking historical places to historical sites，Inscription and its derivatives - rubbings、Visiting monuments and epigraphs，Together we build the meaning of the cliff carvings，Shape the place of interest in a unique way。After Qianjia，Epigraphers attach great importance to the identification and inference of words，This prompts the conversion of viewing scenery into reading scenery。Among them，Rubbing as a medium with both textuality and visuality，Provides both text value，It also helps people imagine the wonders to a certain extent，Weng Fanggang and Yi Bingshou once traveled to Mount Song through the rubbings presented by Huang Yi。Therefore，There is no relative importance between the rubbings and the actual cliff objects。The picture of visiting the monument changed from Jiyou to fiction，Enables Huang Yi and others to weave friends into an imaginary journey to visit the monument，Friend’s reading and postscript，It adds humanistic interest to the scenic spots。It’s late，"Gold and Stone Chronicles" in local chroniclesStart withThe role of the tour guide,People read this kind of literature，You can also get fun similar to "lying down"。This inspired modern tourism development，Stone carvings have therefore become an actively exploited bet365 slotsresource and a created attraction。
Professor Du Zexun expressed his gratitude to Professor Xue Longchun for his wonderful speech。Associate Professor Chen Shuo said during the review，Through Professor Xue Longchun’s wonderful case analysis，We can feel it，Today’s more modern art history research，It has gone far beyond superficial formal analysis、A borrowed meaning correlation，And become a multi-domain、A sophisticated complex of multiple disciplines。This type of research often involves both specialization and broad communication，Becoming an important aspect of current humanities academic research。
In question session，On-site teachers and students discussed how to expand the research space of new inscriptions such as "Feng Yanran Mountain Inscription" from an interdisciplinary perspective，The material characteristics and ethical division of labor in different book styles，The rich layers of materiality of inscriptions and their derivatives，The possibility of reconstructing the craftsmanship of craftsmen through the overlapping of double-hook engraved strokes，As well as raising questions about whether different cultural backgrounds will affect the research approach，Professor Xue Longchun answered patiently one by one。The lecture ended successfully with warm applause。
