Beijing time November 26, 2022,"Journal of Ecohumanism’ s online lectures ’Series) is successfully held through ZOOM meeting,Our Professor Professor Professor was invited to make an English lecture entitled ecoaesthetics and Ecosophy C ("Ecological Aesthetics and Ecological Smart C")。The lecture was hosted by Nikoleta Zampaki (Nikoleta Zampaki),Professor Peggy Karpouzou at the University of Athens & Middot;。Lecture attracted from Greece、Egypt、Pakistan、The enthusiastic participation of scholars around the world。
"Ecological Humanism Magazine" is a scholar、International peer review journals composed of researchers and students,Main research environment human literature、Citizen humanities、Ecological humanism and citizen narrative in the field of literary theory and cultural criticism,Related research on the cross -disciplinary field of humanities、Article、Research cases and book reviews for a short comment。 Periodic editor -in -chief Peggy & Middot; Kapuzu is the University of Kattistan, Athens (that is, the University of Athens,National and Kapodistrian University of Athens),He has worked at many Greek University,Teaching literary theory、European literature and modern Greek literature,The main research field is Greek in the 19th century to 21st century、Literary theory and cultural criticism in French and English Bet365 Casino loginbet365 live casino gamesliterature。 Professor Capuza expressed warm welcome to Professor Cheng Xiangzhan's lectures,And sincerely thank Professor Cheng Xiangzhan from the perspective of China to give a speech on the topic of ecological aesthetics。
At the beginning of the lecture,Professor Cheng Xiangzhan raised the most fundamental question of ecological aesthetic research: What is the theoretical basis of ecological aesthetics? in other words,What is the basis of ecological criticism? The lecture uses this as the entry point,First of all, the main description of ecological philosophy from the perspective of traditional Chinese philosophy,Then define ecological aesthetics as an ecological aesthetic theory based on ecological wisdom C,Analysis of Chinese classical poetry as a sample of ecological aesthetics and ecological criticism,It aims to attract more attention to the aesthetic dimension of ecological literature and art,Aesthetic research that promotes ecological criticism,"Aesthetic Ecological Criticism"。
Next,Professor Cheng Xiangzhan from ecological wisdom T talked about ecological wisdom C,Chinese perspective provided aesthetic ecological criticism。"Ecosoph T" (Ecosoph T) in Norwegian philosopher Alhen & Middot; Arne Naess,Cheng Xiangzhan proposed personal ecological philosophy,Ecological Wisdom C (Ecosophy C),C here represents eight first letters C words: chinese culture (Chinese culture),This is the cultural background of the Chinese; Confucianism (Confucianism),This is generally regarded as a symbol of China in the global cultural ecosystem; Continuity of Being (existing continuity),This bet365 live casino gamesBet365 gamesis the metaphysical and subjective commitment of Chinese philosophy and aesthetics; Creating Life,),This is a great virtue that is regarded as heaven and earth,From the "Easy Said" from "Zhou Yi"; compassion (sympathy),It means to have the ability to empathize with all life; cheng hao (Cheng Ye),Its aesthetic thought represents the most systematic ecological aesthetic expression in Chinese aesthetics; Community,A key term in ecology,Aldo Leopold (ALDO Leopold) developed his ecological conscience based on this; Cultural Evils,This is a key point of view proposed by Professor Cheng Xiangzhan's original aesthetic theory "An Aesthetics of Creating Life。Ecological Smart C theory responded to deep ecology (Deep Ecology) "Deeper",Fully shows the transformation of ecological philosophy from science to wisdom。
The third part of the lecture is "Ecological Aesthetics: Ecological Aesthetic Theory"。Professor Cheng Xiangzhan started from the first appearance of ecological aesthetics,It is pointed out that there are still differences in the object of ecological aesthetic research internationally,Many scholars will confuse ecological aesthetics and environmental aesthetics,Some scholars still question the legitimacy of ecological aesthetics。For this,Cheng Xiangzhan's strategy is to refer to the more mature environmental aesthetics to develop ecological aesthetics,To help define and develop ecological aesthetics。Ecological aesthetics is different from non -ecological -oriented aesthetics,It is a new type of aesthetic method and concept that respond to the global ecological crisis,Taking ecological bet365 live casino bettingbet365 live casino gamesethics as the theoretical basis,Relying on ecological knowledge to stimulate imagination and cause emotion,It aims to conquer the traditional、Human -centered aesthetic preference。Cheng Xiangzhan's natural appreciation mode of "Why-HOW-WHAT",Discuss why we appreciate nature、How can we appreciate nature、What three core issues should we appreciate in the natural environment,Created a mature ecological aesthetic aesthetic mode。
Part 4,Professor Cheng Yingzhan explained the role and application of ecological aesthetics in Chinese poetry appreciation。By analyzing Cheng Ye's "Autumn" and Du Fu's poetry,Cheng Xiangzhan trys to put it into practice based on ecological aesthetics based on ecological wisdom C,Verified the effectiveness of its explanation of literary works。Cheng Xiangzhan's last summary,It should be distinguished from two ecological criticisms,One is "Literary Ecological Criticism",The other is "Cultural Ecological Criticism"。The dominant trend of international ecological criticism is actually "cultural ecological criticism",It restores literary and artistic works into general cultural text; and literary ecological criticism should be "aesthetic ecocriticism",It should be based on ecological aesthetics,Not only pay attention to cultural issues,Pay more attention to aesthetic issues。
In the exchange and discussion link,Wang Xingming from the University of Rogers University in the United States asked questions about the comparative questions of East and Western ecological aesthetics,Professor Cheng Xiangzhan recommended the Harvard series series "Buddhism and Ecology" (1997)、"Confucianism Bet365 gamesbet365 live casino bettingand Ecology" (1998)、"Taoist and Ecology" (2001) and other works,and answer with the "Axis Age",I believe that the keywords in the axis era provide a better comparison framework for Eastern and Western ecological aesthetics and philosophy issues。Peggy & Middot; Professor Capuzu proposes to connect between the more Western traditions and the environment between people and the environment,French philosopher Gatari's ecological wisdom has a certain depth,But ecological wisdom C proposes a more comprehensive version,That is the metaphysical relationship between man and nature。Professor Cheng Xiangzhan agree with Professor Peggy's review,I believe that ecological intelligence C has more metaphysics,For example, "Tao" in traditional Chinese philosophy is the ultimate origin of the universe,"Dao Sheng All Things",Therefore, "Everything in front of the avenue is equal",Compared to Gatille's ecological wisdom is more meticulous。Lecture last,Scholars from all over the world expressed their gratitude to wonderful speech,Scholars of Egypt and Sri Lanka have asked the PPT of the literature and lectures based on the lectures,Professor Cheng Xiangzhan generously agreed。
This lecture indicates,China's ecological aesthetics further moved to the international academic world。