15:00 on May 25,Vice President of the Chinese Academy of Literature and Art Theory,Professor of the School of Arts of Nanjing UniversityZhao Xianzhang guest"New Apricot",Lectures entitled "From‘ Literary Image theory ’to‘ Literature Books ”in the A620 Lemon of Zhixin Building。The lecture was director of the Shandong University Literature and Aesthetic Research CenterTan HaozheHost。Professor Yang Jianang, a professor at literary and artistic majors in Shandong University、Han Qingyu and many teachers and students of the Academy of Arts listened to this lecture。
Before the lecture starts,Tan Haozhe briefly introduced Zhao's research field and academic achievements,It is said that its theoretical research is original and pioneering。He emphasizes ZhaoConsumption of Charter and Literature and Aesthetic Research Center,Thanks for the support of Zhao Xiaoping's support for the construction of literary and artistic disciplines in Shandong University。The lecture kicked off in the expectations and warm welcome of teachers and students。
First, Zhao Xianzhang follows"Literary Image theory" starts,Name around this theory、Overview of research at home and abroad and the classification of literary image。In literary image classification,Zhao Xianzhang believes that the most representative literary image is poetic painting、Fiction illustration and calligraphy art。Where,The first two are regarded as "portrait",Calligraphy art is considered "Books"。Zhao Xianzhang's image and"Lixu", "Identification", "Form Map" for comparison,Emphasize that calligraphy art is one of the most typical literary images,On the one hand, it belongs to the important domain of "literary image theory",On the other hand, it is a very special、Can be discussed independently。Zhao Xianzhang refers to the study of book art as the "Literary Book Bet365 gamesTheory",and discuss from the three aspects of "Book Portrait" concept and writing as art "," objects & middot; words & middot; book portrait "," book portrait, and its text like shadow "。
In the first aspect, Zhao Xianzhang pointed out that Chinese characters haveDouble Overlap Shadow of "Words" and "Books"。"Words" is the glyph,"Book portrait" is the pen and ink traces left by text,The two are divided into special。From this perspective,He reflects on the definition of the traditional "practical -art" method of book art,Thinkviewer's"Watch" and its visual attention is the key factor of "writing as art"。From this,Calligraphy art has a new definition,It can coexist with the traditional two -point method without。
In the second aspect, Zhao Xianzhang uses analysis"Delivery", "Words", "Books" specific meaning,Sort out the heterogeneous homogeneous relationship between the three: the object is extended to the character image,Words are stored in memory,Writing makes the language visible;,The appreciated book is art。Zhao XianzhangThinkThis is the literary (language bet365 live casino gamesart) and calligraphy (writing art) academic logic that can interact dialogue。"Literature Book Portrait Theory" as a unique academic domain,It also built a solid "house base" in this sense。
In the third aspect,Zhao Xianzhang conducted a detailed investigation and classification of the changes in the history of Chinese calligraphy,Different books are found to create different books,Different books express different books。He pointed out that due to the subject、characters like、The inner connection of the book is like the three of them,Book meaning cannot be completely separated from the text of the book and said alone,The former is like the latter as shadow。So there was a singing and contemporary singing and。
In the end of the word, Zhao ChancesJie it“Literary Book Image theory”7032_7042。He thinks“Literary Book Image theory"is a new model of the language relationship,Principles introduce new knowledge and modernity in research,Containing Chinese book theory at the experience level for a long time,SoImplementation"The modernity of Chinese calligraphy".
Bet365 gamesInteractive link, students fromThe actual application of "Literature Book Portrait"、Appreciate the differences in different perspectives of calligraphy works and ask questions,Zhao Xianzhang made a one by one。Last,Tan Haozhe made a concise summary of the talks,and interacted with Zhao Lianzhang on the question of "writing how to become art"。At the same time,He believes that Zhao Xianzhang is establishing theoretical ambitions、Use theoretical methods and construct a discourse system with the concept of original identification to make a good example for young theoretical researchers。So far,The lecture ended successfully。