15:00 on May 25th,Vice President of the Chinese Literary Theory Society，Professor, School of Liberal Arts, Nanjing UniversityZhao Xianzhang is a guest"New Apricot Altar"，Lecture entitled "From 'Literary Image Theory' to 'Literary Image Theory'" in Lecture Hall A620, Zhixin Building。Lecture given by the Director of the Literary Aesthetics Research Center of Shandong UniversityTan HaozheHost。Yang Jiangang, Professor of Literature and Art at Shandong University、Han Qingyu and many teachers and students from the School of Liberal Arts listened to this lecture。
Before the lecture begins，Tan Haozhe briefly introduced Zhao Xianzhang’s research fields and academic achievements，Calling it that its theoretical research is original and pioneering。He emphasized ZhaoThe close connection between the Charter and the Center for Literary and Aesthetic Research，Thanks to Zhao Xianzhang bet365 live casino gamesfor his support in the construction of the literature and art discipline of Shandong University。The lecture kicked off with the expectations and warm welcome of teachers and students。
First of all, Zhao Xianzhang started fromStarting with "Literary Image Theory"，The naming surrounding this theory、Domestic and foreign research overview and literary image classification expansion。In Literary Image Classification，Zhao Xianzhang believes that the most representative literary images are poetic paintings、Novel illustrations and calligraphy art。Among them，The first two are considered "portraits"，The art of calligraphy is regarded as "book image"。Zhao Xianzhang put the book portrait withCompare with “Picture Analysis”, “Recognition Picture” and “Shape Picture”，Emphasis on the art of calligraphy as one of the most typical literary images，On the one hand, it belongs to the important field of "literary image theory"，On the other hand, it is a very special one、A domain of discourse that can be independent。Zhao Xianzhang calls his research on calligraphy "literary calligraphy theory"，And from the perspective of "the concept of 'book image' and writing as art" and "language image&bet365 games best slotsmiddot;Word image·Discuss the three aspects of “calligraphy portraits”, “calligraphic meaning of calligraphy portraits and their literary meanings like shadows”。
In the first aspect, Zhao Xianzhang pointed out that Chinese characters haveThe double overlap of “character image” and “book image”。"Character image" is the glyph，"Book image" is the traces of pen and ink left by writing，The two are different。From this perspective，He reflected on the definition of calligraphy based on the traditional dichotomy of “practicality and art”，thinkViewer’s"Seeing" and its visual attention are the key factors of "writing as art"。From this，The art of calligraphy has a new definition，And can coexist with the traditional dichotomy without contradicting it。
In the second aspect, Zhao Xianzhang passed the analysisThe specific meaning of "language image", "word image" and "book image"，Sort out the heterogeneous and isomorphic relationship between the three: the difference of language image becomes word image，The word image is stored in memory，Writing makes language visible；The written image is the book image，Appreciated book portraits are art。Zhao XianzhangthinkThis bet365 online sports betting mobileis the academic logic that allows literature (language art) and calligraphy (writing art) to interact and dialogue。“Literature and Imagery Theory” as a unique academic field，It is also in this sense that a solid "house foundation" is built。
In the third aspect，Zhao Xianzhang conducted a detailed investigation and classification of calligraphy changes in the history of Chinese calligraphy，Discover that different calligraphy styles create different calligraphy images，Different calligraphy images express different meanings。He pointed out that because of the linguistic image、Word image、The inner connection between books and images，The meaning of a book cannot be completely separated from the meaning of the written text and can be expressed independently，The former follows the latter like a shadow。So the harmony of calligraphy and literary meaning appeared。
In concluding remarks, Zhao XianzhangAnalyze it“Literary book theory”’s theoretical thinking and future ideas。He thinks“Literary book theory” is a new mode of language-picture relationship，Advocates the introduction of new knowledge and modern rationality in research，Control the long-term slide of Chinese Bet365 logincalligraphy theory at the empirical level，ThusImplementation“The Modern Transformation of Chinese Calligraphy”.
Interactive session, students will start fromPractical application of "Literary Image Theory"、Appreciate the differences in calligraphy works and ask questions from different angles，Zhao Xianzhang answered one by one。last，Tan Haozhe gave a concise summary of the lecture，And interacted with Zhao Xianzhang on the issue of "Why writing becomes art"。simultaneously，He believes that Zhao Xianzhang is establishing theoretical ambitions、It has set a good example for young theoretical researchers in three aspects: using theoretical methods and constructing a discourse system with original and iconic concepts。To this point，Lecture ended successfully。
