15:00 on June 3,Professor Xue Longchun, a professor at the School of Arts and Archeology of Zhejiang University, as the 379th issue of "New Apricot",Academic lectures entitled "The Swordsman of the Shandong Dynasty in the Ecological Vision"。The lecture was chaired by Professor Duzhon of our hospital,Professor Xu Jun in our hospital、Associate Professor Chen Shuo,Teacher Yang Zimo, the Qilu Cultural Research Institute of Shandong Normal University attended,Attract nearly a hundred teachers and students inside and outside the school to listen to。
At the beginning of the lecture,Professor Du Zeson briefly introduced Professor Xue Longchun’s academic field and research results。Professor Xue Longchun is currently the director of the Institute of Art and History of the School of Art and Archaeological College of Zhejiang University,Mainly engaged in the history of calligraphy and seal engraving in the Ming and Qing Dynasties、Research on the Literature and Goldstone Culture,Works Hongfu。
First,Professor Xue Longchun according to the relationship between "text" and "trace",Emphasize the special features of the cliff title and its derivatives。Mr. Shang Wei talked about it in "Writing and Wonderful"bet365 live casino gamesbet365 live casino betting,Winning is not only the existence of material,It is also the product of writing,A place is always identified by writing、Naming、Definition and description presentation,Like Phoenix Tai、Yellow Crane Tower,The so -called "Di Yizhi Poetry" is also。From this,Professor Xue Longchun further pointed out,Writing in general,History related to the victory、Literature、Religious and even myth、Folklore is important,But in the end it reflects "text" and appears as "trace",It is undoubtedly a material -based inscription, especially the cliff stone carvings。Questions not only identify,and to a certain extent shaped the victory。After Jialong in the Ming Dynasty,With the development of business travel,The literati visit and the inscription The Tarzan Sutra "The Diamond Sutra" is gradually becoming atmosphere。Qianjia in the Qing Dynasty to descend,Due to the prosperity of Jinshi,The cliff stone carvings and derivatives in the northern part of Shandong Dynasty even played more directly than the drawing and printing of local landscapes.。
Next,Professor Xue Longchun talked about Ming、The differences between the literati of the Qing Dynasty when watching the landscape and the text on the topic of the Qing Dynasty: The Ming Dynasty scribes often carefully selected the travel time,distinguish themselves from ordinary tourists; after Qianjia,Searching the monument carrier has become the focus of literati travel,Frequent out of the timeAll kinds of "Ascending Map ", also in a large number of poemsThe content of common monuments, is an apparent example。For a long time,Research on the research of traditional Chinese golden stone scholars is the text on the goldstone,Insufficient attention to "things" is not sufficient。Professor Xue Longchun with Western Sinologist Han Wenbin (Robert E. Harrist)、Lothar Ledderose) Study for example,Introduction and reflecting on the geographical landscape science method advocated by Western Sinologists to study the cliff stone carvings of China,Then propose the concept of "cliff stone carvings ecology"。Western Sinologists understand the accumulated landscape in history as design landscape or art creation,No time for time、Historical factors are fully considered。Professor Xue Longchun prompt,Cliff stone carvings are often taken on the spot,The environment where the cliff is located may not have specific meaning,Its meaning is even more functional、Cost、Technology and the final form to explore,For example, the word "Luo" engraved on the stone broken surface、The "life" and "cloth" two -character strokes with double hook traces,All are evidence。At the same time,To introduce the visual field of time change,In the Ming Dynasty, Zhang Ye read through the stream of colorless scriptures,The red scriptures seen by the people are obviously not the same as on the same day。As for cliffs and questions,In Huangyi、Nie Yan and others' eyes,They are mutual prompts rather than the relationship of collaboration,"See the landscape from gold Bet365 Casino loginbet365 live casino bettingand stones,Goldstone comes from the landscape ",Landscape and Jinshi together constitute the landscape of Taishan as a victory。but but,The title is engraved in the landscape,Title Postsatal,Still an indispensable embellishment,The main status of no residence。
Last,Professor Xue Longchun pointed out,The inscription is the most reliable material existence of the history of the linked history,Question engraved and its derivatives -Top Ben、Visit Monument and Golden Shi Zhi,The meaning of the cliff stone carvings is jointly constructed,Famous wins in a unique way。After Qianjia,Goldstone scholars attach importance to the identification and push of text,This prompts the viewing scene to convert to reading landscape。where,Top Ben as a medium with both textual and visual,Provide text value,Also help people imagine victory to a certain extent,Weng Fanggang and Yi Bingzhang once traveled to Songshan through the Takamoto lying from Huang Yi。So,There is no relationship between the real objects of Tuo Ben and the cliff。Visit the monument from Ji You to Fiction,Make Huang Yi and others can weave friends in the imagination of the trips to imagine,Friends' reading and postscript,add humanistic interest to the attractions。Near late,"Golden Stone Chronicle" in the local mindsStart withThe role of the guide,People read such literature,You can also get fun similar to "lying tour"。This inspires modern tourism development,Stone carvings as a result bet365 live casino bettingof actively excavated bet365 live casino gamesresources and attractions created。
Professor Du Zesen thanked Professor Xue Longchun's wonderful speech。Associate Professor Chen Shuo said in the review,Through Professor Xue Longchun's wonderful case analysis,We can experience,Now more modern art history research,Already far beyond the surface analysis of the surface、The significance of the useist -style,and become a multi -field、Multi -disciplinary cross -precision complex。Such studies often work together with Broadcom,Become an important aspect of human academic research at the moment。
Question session,On -site teachers and students expand the research space of new inscriptions such as "Feng Yanran Mountain" from the perspective of cross -disciplinary disciplines,The material characteristics and ethical division of different books of different books,The rich level of the material nature of the monument and its derivatives,The strokes of the double -hook engraving possibility of reconstruction of craftsmanship,and whether different cultural backgrounds will affect the number of research roads and ask questions,Professor Xue Longchun answers one by one。The lecture ended successfully in warm applause。
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